REVIEWS

Raised on rock royalty but determined to find her own sound, Snow Koppes talks grunge, growing up with The Church, writing with Ratcat's Simon Day and the stories behind her two new singles.

New songs, a new drummer and three bands worth your attention. Annette Geneva catches The Buoys kicking off their Concrete Cowboy tour in Hobart, with Oscar the Wild and local newcomers Sunburn making their own impressions.

For Annette Geneva, MJ Lenderman’s Manning Fireworks is less a record to review than one to obsess over. This month’s Written In Reverb is an unabashed love letter to its crooked humour, glorious guitars and irresistible imperfections.

Ten years into their career, DMA’S have made a record that looks backwards without getting stuck in the past. Their self-titled album is a wonderfully human reminder of what made them special in the first place.

Nine years between albums. Explore Ecca Vandal's remarkable return with LOOKING FOR PEOPLE TO UNFOLLOW in our Waxx Lyrical Deep Dive.

Manchester's Westside Cowboy are bringing their gloriously ragged indie rock to Australia for the first time, with three headline shows and a Golden Plains appearance following the release of It Goes On.

Fontaines D.C. expand their world with electronics, orchestral beauty and a stunning Rosalía collaboration. Could Dopamine Chamber carry them further into the mainstream?

Big riffs, soaring harmonies and proper songwriting. Sydney's LARGE MIRAGE talk ‘Wildfire’, recording with Michael Badger, sharing a stage with AC/DC and why the human element matters.

Bernard Zuel finds joy, nostalgia and the warmth of old friendships in No Bad Memories, as The Avalanches turn 31 fleeting musical moments into something deeply rewarding.

Brooklyn's Geese are heading back to Australia in 2027. Following the extraordinary success of Getting Killed, the band return for their biggest headline shows yet.

James and Razorlight deliver an extraordinary night at Brisbane's Fortitude Music Hall. A spectacular celebration of Laid, devotion and British rock.

Pixies made Doolittle stranger, sharper and more accessible without losing any of their bite. We go track by track through the 1989 album that helped rewrite the language of alternative rock.