Bernard Zuel

Bernard Zuel finds joy, nostalgia and the warmth of old friendships in No Bad Memories, as The Avalanches turn 31 fleeting musical moments into something deeply rewarding.

Budjerah’s debut album Gentleman is a classy, carefully considered blend of contemporary R&B, gospel and ’90s foundations, carried by a marvellous voice and plenty of style. Bernard Zuel asks whether the individuality can now catch up with the polish.

Bernard Zuel reviews Olivia Rodrigo’s you seem pretty sad for a girl so in love, a clever, understated and quietly impressive album shaped by love, doubt, The Cure and sharp pop instincts.

A deep dive into RAYE’s This Music May Contain Hope — a sprawling, divisive, and dazzling album that turns excess into expression and chaos into something truly compelling.

DMA’S turn the Metro Theatre into a sweat-soaked, Manchester-tinged dream, celebrating Hills End with a crowd that sings every word like it’s their own.

Harry Styles returns with Kiss All The Time. Disco, Occasionally — polished, precise, and frustratingly short on actual songs. A stylish pop record that forgets the fun.

Jalen Ngonda brings timeless soul to a packed Enmore Theatre, winning over a new generation with vintage grooves, soaring vocals and undeniable feeling.