REVIEWS

Big Thief return with Double Infinity — a patient, folk-tinged set that rewards time with depth, intimacy, and unexpected light.

Spoon surprise release two new songs — ‘Chateau Blues’ and ‘Guess I’m Fallin in Love’ — lo-fi sparks of urgency, memory, and that old indie-rock magic.

High-glam, fence-hopping, and ten steps ahead — Brazen Barbie isn’t asking for the spotlight, she’s taking it.

Sydney alt-pop artist Jordan Laser returns with ‘Holiday’ — a smoky, slow-burning meditation on love, longing and emotional limbo.

Waxx Lyrical's Forever Five with Mama Kin — five albums she can't live without.

Wolf Alice's The Clearing review: would've towered over, say, 1977, yet in 2025 it feels just as vital from a band in control, still operating at the peak of their powers.

Wolf Alice return with their fourth album, The Clearing — a bold, cohesive reinvention that proves Britain’s best band are only getting stronger.

Even from overseas, Yejin Cho’s lens doesn’t miss. This time, she captures Wunderhorse tearing up a Barcelona stage — just ahead of their Australian tour this September.

Sabrina Carpenter’s Man’s Best Friend isn’t just another pop record — it’s a sharp, funny, and dazzling collection that delights in upsetting all the right people.

Annette Geneva reflects on Spoon’s Gimme Fiction — a cult classic that still burns. Not a love letter, but a thank-you note to its lasting impact.

Rain, riffs, and Silent Alarm nostalgia as Bloc Party and Young The Giant close their Australian tour at Brisbane’s Riverstage.

After a hiatus and label departure, JXCKY claws his way back with ‘THIRSTY’ — a venomous, trap-driven evolution of his signature dark-pop.