REVIEWS

On Get Sunk, Matt Berninger isn’t chasing catharsis—he’s documenting the quiet collapse.

Five albums Blake Scott (The Peep Tempel) can't live without.

Annette Geneva's Written In Reverb is a personal column about the records that resonate through time—haunting, healing, and holding us when we need them most. In this first instalment, she writes a love letter to Frightened Rabbit’s Painting of a Panic Attack and the echoes left behind by Scott Hutchison’s voice.

A deep dive into Tom Petty’s most vulnerable album, Wildflowers, its lost songs, and the story behind the music that listens back.

J Mahon opens up from Berlin about shedding old identities, staying clean, and writing hundreds of songs in search of something real.

Hilltop Hoods, DMA’s, and Meg Mac are heading north for the launch of One Street One Day — a brand-new street-style music festival kicking off in Townsville this July.

Experience the haunting beauty of Sigur Rós’s 2025 Brisbane performance through the lens of photographer Yejin Cho.

Five albums Steve Kilbey (The Church) can't live without.

Beth Gibbons delivers a breathtaking performance at Brisbane’s Fortitude Music Hall, performing Lives Outgrown in full with a jaw-dropping encore of Portishead classics.

We trace Mk.gee's rise, his sound, and Two Star & The Dream Police, the record that’s already reshaping what a breakthrough can look like.

Five albums Lachlan Rose (Cousin Tony's Brand New Firebird) can't live without.

Slowdive’s music feels like memory — hazy, intimate, and achingly beautiful. Photographer Yejin Cho sees the world much the same way.