REVIEWS

Matt Jones returns with Jonesing For This One to revisit Chris Whitley’s Living with the Law, an overlooked 1991 gem of blues, folk and rock.

Rebecca Gisborne returns to the Spider-Verse with Brand New Day, finding plenty to enjoy in Tom Holland’s more mature Peter Parker, an expanded Marvel cast and a franchise that may have rediscovered its spark.

Everybody knows 'Laid'. Far fewer know Laid. We go beyond James’ immortal title track to discover the strange, intimate Brian Eno-produced album hiding behind the hit.

In his first ever review for Waxx Lyrical, Rhys Mackenzie takes on Ed O’Brien’s Blue Morpho, a meditative, textured journey through crisis, nature, spirituality and quiet transformation.

Annette Geneva heads to Suffragette Records in Hobart for a star-lit first listen to Phoebe Bridgers’ Lost Weekend, an intimate, strange and quietly devastating return.

Budjerah’s debut album Gentleman is a classy, carefully considered blend of contemporary R&B, gospel and ’90s foundations, carried by a marvellous voice and plenty of style. Bernard Zuel asks whether the individuality can now catch up with the polish.

Bachelor Girl’s Tania Doko reveals the five albums she can’t live without, spanning Donny Hathaway’s soul, John Farnham’s warmth, Robyn’s emotional pop, Chris Stapleton’s country grit and Sam Fender’s urgency.

Matt Jones heads across the Tasman for the latest Jonesing For This One, revisiting The Chills' Submarine Bells — a New Zealand masterpiece filled with dazzling lyrics, gorgeous melodies, and one of the greatest hidden gems of the '90s.

Five albums Pinky Beecroft can't live without.

Chandler Levack’s Mile End Kicks is a funny, painfully familiar coming-of-age story about music obsession, youthful entitlement and the awkward gap between who we are and who we think we’re becoming.

Thirty years in, Modest Mouse are still following the crooked road. An Eraser and a Maze is messy, haunted, funny and stubbornly alive.

Snocaps’ self-titled debut is where Katie and Allison Crutchfield, MJ Lenderman and Brad Cook turn indie folklore into something beautifully human.